The calligraphic style that the serifs pronounce imparts a warm human feel to the typeface. In fact, the characteristics of many other well known typefaces such as Garamond® and Times® Roman can be traced back to the Bembo typeface. The resulting typeface which was a departure from the common pen-drawn calligraphy of the day, and looked more similar to the style of the roman typefaces we are familiar with today.
In the case of the Bembo typeface, Griffo could not have known how important in the history of typeface design his new cut would be. A punchcutter was a very skilled job and the their interpretation of a typeface design would be what was eventually printed typeface designers had little input into the punchcutter’s work once their design had passed out of their hands. The Bembo typeface was cut by Francesco Griffo, a Venetian goldsmith who had become a punchcutter and worked for revered printer Aldus Manutius.īeing a punchcutter meant that Griffo spent his days punching out the shape of a typeface into steel. The typeface originally used to publish Pietro Bembo’s book “De Aetna”, a book about Bembo’s visit to Mount Etna. The Bembo design was named after notable the Venetian poet, Cardinal and literary theorist of the 16th century Pietro Bembo. The original Morison typeface contained only four weights and no italics. It does not store any personal data.The Bembo® design is an old-style humanist serif typeface originally cut by Francesco Griffo in 1495 and revived by Stanley Morison in 1929. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. Good luck with your purchase and future use of this font. The designer and publisher deserves to be paid for their work, as they have put in the hours and the creativity to produce such an amazing font. Here you will be able to obtain the proper license.
#GRIFFO BEMBO TYPEFACE 1495 TALIC DOWNLOAD#
If you really want Bembo® and you want to truly own it the legal and safe way, then click here to visit the download and purchase page on.
#GRIFFO BEMBO TYPEFACE 1495 TALIC FREE#
In the rare occasion that you do find a free download for Bembo® remember that it's illegal to use a font if you didn't pay for it! There's a lot of websites that will say "Free Download" but these are just attempts to get you to click on a link which will either take you to an ad landing page or you risk getting viruses on your computer. It is highly unlikely that you'll be able to find Bembo® for free.
There is no point trying to find a free download of Bembo® so please don't waste your time looking.
We do have a Free Fonts section where we list free fonts that you can download. You will need to pay for it I'm afraid.Īlmost every font that we list on is a paid-for, premium font. Is Bembo® A free font? Is Bembo® Free to Download?
For more previews using your own text as an example, click here. Here is a preview of how Bembo® will look. The Bembo® includes the following font families: More…īooks and other texts set in Bembo can encompass a large variety of subjects and formats because of its quiet classical beauty and its high readability. Bembo is a fine text face because of its well-proportioned letterforms, functional serifs, and lack of peculiarities the italic is modeled on the handwriting of the Renaissance scribe Giovanni Tagliente. Stanley Morison supervised the design of Bembo for the Monotype Corporation in 1929. Griffo’s design is considered one of the first of the old style typefaces, which include Garamond, that were used as staple text types in Europe for two hundred years. Bembo was modeled on typefaces cut by Francesco Griffo for Aldus Manutius’ printing of De Aetna in 1495 in Venice, a book by classicist Pietro Bembo about his visit to Mount Etna.